The Grand Design: Family

Behind the high walls of Turjak Castle, a carefully orchestrated family strategy unfolded. The nobility did not rule through arms and land alone – their power was strengthened through marriage alliances and inheritance, through the upbringing of their descendants, and through the style of their everyday lives.

The family itself was a project, shaped by political alliances, privileges, and the careful planning of the dynasty’s future.

Domestic life became an essential foundation of political continuity. It was here that an intimate architecture of power took shape. Space itself was not merely a reflection of personal taste, but an instrument of authority and a building block of governance. The castle – this imposing physical structure – thus reveals deeper, often invisible mechanisms of power. 

Living quarters, offices for decision-making, galleries of ancestors, and even objects of everyday use reveal how closely intertwined the private and the public, the intimate and the political once were. Within these spaces, stories were created that did not simply reflect power, but actively produced it – through memory, representation, and the careful shaping of the family’s public image. 

In its very layout, Turjak Castle reflects a deliberately constructed system of relationships. Within this system, family ties, cultural influence, and historical memory together shaped one of the most influential noble dynasties in this region. 

About the Auerspergs

Rooms

01

A Guardian of Law and a Lady of the Court

Herbard III of Auersperg (d. 1356) in Anna of Rottau
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A Guardian of Law and a Lady of the Court

02

A Deputy Governor and a Lady of the Court

Wilhelm I of Auersperg (d. 1400) in Elisabeth of Reitenburg (d. 1425)
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A Deputy Governor and a Lady of the Court

03

Family Partition

Engelhard of Auersperg (1404–1466) in Scholastika of Königsberg (d. 1466)
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Family Partition

04

A Tribute to a Croatian Noblewoman

Pankraz II of Auersperg (1441–1496) in Countess Anna of Frankopan (d. 1498)
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A Tribute to a Croatian Noblewoman

05

A Patron of Renewal and a Lutheran Noblewoman

Trojan of Auersperg (1495–1541) in Anna of Egkh-Hungerspach (1502–1544)
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A Patron of Renewal and a Lutheran Noblewoman

06

A Hero and a Reformer

Herbard VIII of Auersperg (1528–1575) in Maria Christina of Spaur-Valör (d. 1589)
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A Hero and a Reformer

07

The Achilles of Carniola

Andreas of Auersperg (1556–1593)
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The Achilles of Carniola

08

A Convert and the “Mysterious Baroness”

Herbard IX of Auersperg (1574–1618) in Baroness Felicitas Katzianer (d. 1615)
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A Convert and the “Mysterious Baroness”

09

A Comital Couple with a Palace in Ljubljana

Johann Andreas of Auersperg (1615–1664) in Baroness Anna Elisabetha of Lamberg (1621–1668)
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A Comital Couple with a Palace in Ljubljana

10

The First Princely Couple of the Auersperg Family

Johann Weikhard of Auersperg (1615–1677) in Countess Marie Katherine of Losenstein (1635–1666)
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The First Princely Couple of the Auersperg Family

11

Three Heirs to an Indivisible Estate

Wolf Engelbert Ignatius (1716–1768), Maria Josef (1723–1805), and Paul Alois (1729–1810)
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Three Heirs to an Indivisible Estate

12

The Poet of Romanticism

Anton Alexander Auersperg - Anastasius Grün (1806–1876) in Countess Maria Rosalia of Attems (1816-1880)
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The Poet of Romanticism

13

An Auersperg Heart: The Volunteer

Hanno of Auersperg (1838–1861)
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An Auersperg Heart: The Volunteer

14

The Last Auerspergs at Turjak Castle

Herward of Auersperg (1875–1925) in Marie Adamovich de Csepin (1887–1979)
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The Last Auerspergs at Turjak Castle
Back to:
The Baroness’s Epitaph
Continue to:
Faces Behind the Walls of History
Turjak Castle
Ground floor

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Turjak Castle
First floor

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Turjak Castle
Second floor

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Floor Selection:

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1

2

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Exhibition

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Elevator

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Staircase